Exhibit: Giselle Farmore & Jason Reed
Left Pillar. Start of intro/preface: “Unburying the past.” Young girl holding up a skull next to a gravesite, lots of onlookers.
Right Pillar. Epilogue, “Fighting over the Alamo.” Depiction of native man standing and speaking in front of Alamo. https://www.statesman.com/story/news/2019/04/13/competing-cemetery-proposals-could-affect-alamo-plans/5444742007/
- Chapter 1: “Painting the White Shaman Mural.” Image of native man on a ladder made from logs, painting part of mural. See digitally enhanced rendering: https://sanantonioreport.org/archaeologists-have-recorded-233-ancient-art-sites-along-texas-border-with-mexico-now-they-want-to-discover-the-meanings-behind-the-murals/
- Chapter 2: “Shelter at Last.” Depiction of Cabeza de Vaca, Estebanico, and a few other Spaniards in rags near the ocean shore being welcomed by Karankawas, guided to a lodge. Make sure some Karankawas are women. See this depiction of a coastal Karankawa settlement: http://www.texasbeyondhistory.net/guadbay/images/Weir-Guadalupe-Bay.html
- Chapter 3: “Caddo Country.” Depiction of Caddo Indians and their distinctive buildings. See https://www.austinchronicle.com/columns/2017-03-10/day-trips-caddo-mounds-historic-site-alto/ for reconstructed structures, here for depiction of buildings with fields and people: https://www.thc.texas.gov/historic-sites/caddo-mounds/caddo-mounds-history
- Chapter 4: “A New Civilization.” Depiction of Comanche encampment, lots of teepees, women visible processing hides. See Catlin watercolors in this article: https://www.tshaonline.org/handbook/entries/comanche-indians
- Chapter 5: “Esteban and Erasmo.” Depiction of two men, both pretty white, well clad, sitting at table in adobe house. Historical images of Erasmo’s son are here: https://www.sanjacinto-museum.org/Library/Veteran_Bios/Bio_page/?id=745&army=Texian and an image of Esteban is here: https://www.humanitiestexas.org/programs/tx-originals/list/stephen-f-austin
- Chapter 6, “Austin in the Dungeon.” Depiction of Austin lying in Mexico City dungeon, thick stone walls, looking up to sunlight through small skylight. Description and images of place of imprisonment can be found here: https://medium.com/save-texas-history/the-inquisition-dungeon-of-stephen-f-austin-ef258d1c73be
- Chapter 7, “Merely a Barn.” Depiction of Texas’ very simple 1830s capitol in Houston. Similar buildings can be seen at https://blogs.baylor.edu/texascollection/2016/05/16/texas-over-time-texas-state-capitols/.
- Chapter 8, “The white man and the red man cannot dwell in harmony together.” Depiction of Mirabeau B. Lamar writing or giving speech. Images of Lamar here: https://www.tshaonline.org/handbook/entries/lamar-mirabeau-buonaparte.
- Chapter 9, “Going to Texas.” Depiction of slave auction, with woman being sold away from her children.
- Chapter 10, “Juneteenth.” Depiction of early Juneteenth celebration, formally dressed African Americans (please make sure many women visible). Some photos here: https://blog.newspapers.com/june-19-1865-the-first-juneteenth-celebration/
- Chapter 11, “A Bison Hunt.” Kiowa running down bison in enclosure made by automobiles.
- Chapter 12, “Cattle Drive.” Depiction of longhorn drive, capture enormous number of animals being moved. Some images here: https://www.blackpast.org/african-american-history/concepts-african-american-history/african-americans-on-western-cattle-drives-1868-1885/
- Chapter 13, “Going to Church.” Depiction of congregants (including women and children) entering a church, decent-sized building but simple lines and construction, perhaps something like this: https://seatonchurch.org/history.
- Chapter 14, “Farmers Alliance.” Depiction of Alliance members standing on porch of simple building. Women as well as men, cleanly if not fancily dressed. See https://www.wisconsinhistory.org/Records/Image/IM3397
- Chapter 15, “A Lynch Mob.” White citizens, including women and children, gathered on courthouse yarn, festive seeming. Perhaps a gallows in the background or a noose hanging from an oak branch in the distance, and a camera station set up, but no graphic violence.
- Chapter 16, “Votes for Women.” White women in open canopy car with suffragist banners, patriotic bunting. Example here: https://montanawomenshistory.org/the-long-campaign-2/
- Chapter 17, “A Gusher.” Depiction of blown out oil well, with tower of oil gushing up from partially broken wooden derrick. One photo in this entry: https://en.wikipedia.org/wiki/Spindletop
- Chapter 18, “The Sounds of the Larger World.” Depiction of black family listening to radio in living room. One depiction here, but of a wealthier family than I’d like: https://teachrock.org/lesson/radio-before-rock-and-roll/
- Chapter 19, “Leadbelly and John Lomax.” Leadbelly should have a guitar or accordian. Images of him: https://www.alamy.com/stock-photo/leadbelly.html?sortBy=relevant; images of Lomax: https://texashighways.com/culture/history/ballad-hunters-alan-john-lomax-preserved-work-little-known-musicians/
- Chapter 20, “Laid to Rest.” Depiction of Private Felix Longoria’s family by his flag-draped casket at Arlington National Cemetery. Photo here: https://www.pbs.org/wnet/exploring-hate/2023/04/11/until-you-are-remembered/
- Chapter 21, “A Mink Coat Mob.” Depiction of mob, mostly women, protesting LBJ in Dallas. https://www.nytimes.com/2015/04/29/us/politics/bruce-alger-former-congressman-whose-protest-against-lyndon-johnson-backfired-dies-at-96.html
- Chapter 22, “Running for Freedom.” Jerry Levias on the field. https://www.wfaa.com/article/features/originals/former-smu-football-player-jerry-levias-sees-parallels-from-1960s-current-protests/287-8ba96392-f371-4abf-9776-51d7d7978611
- Chapter 23, “Norma McCorvey.” Depiction of a middle-aged Norma McCorvey, perhaps with two signs behind her – “Keep abortion safe and legal” and “Pro-Life.” One photo here: https://www.newyorker.com/magazine/2021/09/20/how-the-real-jane-roe-shaped-the-abortion-wars
- Chapter 24, “Barton Springs.” Depiction of swimmers in natural swimming pool. https://www.edwardsaquifer.net/barton.html
- Chapter 25, “Waco Burning.” Depiction of Branch Davidian buildings in flames in the distance, with fields in the foreground. https://www.newyorker.com/news/letter-from-the-southwest/what-really-happened-at-waco

